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The following biography can be used in programmes and promotional material. Please get in touch if you wish to alter it.



Edward studied Music at Oxford University and trained as a composer and sound designer at the Bournemouth Media School.


Recent theatre work includes Killer Joe, A Day In The Death Of Joe Egg and The Best Man (West End); Arturo Ui, Henry V and Force Majeure (Donmar Warehouse); Othello, Notes From A Small Island and Visitors (all Watermill Theatre); The Box Of Delights, A Christmas Carol, The Child In The Snow and Only An Octave Apart (all Wilton’s Music Hall); Broken Glass (Watford Palace); Scarlett (Hampstead Theatre/Theatr Clwyd); Gravity (Birmingham Rep); A Midsummer Night's Dream (Almeida); Darker Shores, Amongst Friends, Platinum, Ignorance, Cash Cow, Alligators and On The Rocks (all Hampstead Theatre) Fool For Love, Bug, Unfaithful and The Dazzle (all Found 111); The Vertical Hour; Remarkable Invisible (Theatre by the Lake); Rubenstein Kiss (Nottingham Playhouse); Table (New Vic, Stoke); Baddies the Musical; Breaking The Ice, Medea, My Father Odysseus, The Minotaur, The Canterville Ghost and Hannah (all Unicorn); Chef (Soho); Abigail’s Party (Leicester Curve); The Cement Garden (VAULT Festival); The Speed Twins (Riverside Studios); Molly Sweeney (The Print Room/Lyric); Measure for Measure (Cardiff Sherman); Once Upon a Time in Wigan and 65 Miles (both Paines Plough/Hull Truck); Krapp's Last Tape and Spoonface Steinberg (both Hull Truck); Midsummer Night’s Dream (Southwark Playhouse)

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